Domification shows the universal life scheme living in the human being
The Houses system represents the dynamic extension of the individual faculties originating from the Ascendant, which unfolds in the critical sectors of human experience, overlapping the archetypal contents given by the simple planetary presences in the zodiac signs. It is the bridge between two realities, one still potential, the other that represents the moment in which the being meets the world and becomes an individual; it is the passage of the unconscious towards the conscience, of the light towards the thought.
The cosmic order, witnessed by an annual revolution which expresses in the twelve symbols of the zodiac the ever-changing energetic relationships between the Sun and the Earth – the alternation of the seasons – is revealed in the daily equatorial movement, where the twelve sections are the earthly counterpart of the celestial archetype. A form is born that is static and, at the same time, dynamic: static because it is symbolically already completed, dynamic because it needs time to evolve its potentialities, which take place in the arising, growing and declining of our daily microcosm.
Along with the other components of the birth chart, Domification offers a wide variety of astrological types. Even in this way, the interpretative possibilities offered still fall within a statistical-symbolic generalisation, highly fine-grained but far from representing the actual individual.
In fact, we cannot see the formation of a separate identity exclusively in the astronomical representation; in Astro-twins’ example, two destinies with the same configuration can follow different paths despite their symbolic kinship. Taken separately, the event’s genetic, cultural, and family foundation and astrology concurrence are sterile in providing a cause for individuation. Only their union matures the link between signifier and signified in the circumscribed locus of the birth event, where the individual will be the bearer of the self’s instances.
The Incarnation Cross
The horizon and meridian axes , the foundation of astrology domification, constitute the incarnation cross’s skeleton. This spatial model represents the universal life pattern when it reveals itself in the form of a particular being in the realm of human representation.
The cross scheme is a reference model; think of it as a structure that ‘isolates’ the planes of human representation according to a division of space into hemispheres and quadrants, offering the unborn child – symbolically represented by the centre of the cross – a system of spatial orientation. In this sense, the unborn child is ‘squared’, inserted in a subdivision of the space at right angles. The symbolism of the number 4 represents the entry of the anima mundi into individuality . This process is necessary because there is no “space” except when the subjective vision arises, creating the need for a reference system that can relate the self to what, at that point, becomes the objects of the experience, the non-self.
The horizontal axis, the Ascendant-Descendant line, identifies the event’s horizon – in our case, the place of birth – which divides the space into what is visible (the sky) from what is hidden by the Earth’s mass. In this first and immediate representation, the ‘sky’ is synonymous with the awareness of the external world made possible by the senses, which tune in, so to speak, to represent a humanised universe.
The vision of science
Continuing along the lines of thought leading to this “humanisation” of reality, one cannot help but notice that even the scientific community sometimes uses methodological principles that identify an inclusive role for the observer beyond pure objective experimental data. In the formulation, for example, of the Strong Anthropic Principle (SAP), the laws of the universe must be compatible with the observer’s consciousness; that is, the universal constants allow for conscious life development. But the Participatory Anthropic Principle (PAP) goes even further, postulating that the universe needs an intelligent observer to trigger the collapse of the wave function, which decays from a superposition of states into a relatively concrete reality. It is the concept behind the Copenhagen interpretation of quantum mechanics, according to which the phenomenon becomes real only when observed during an experiment. In other words, the observer’s consciousness is necessary to give meaning to the universe.
Stephen Hawking’s proposal takes place on a more cosmological level, which is still valid for continuing our discussion. In his theory of imaginary time, the universe has neither a beginning nor an end. Trying to solve the paradox given by a singularity – the Big Bang, he exploits the concept of imaginary numbers that transform the time parameter of spacetime coordinates into spatial coordinates. In this scenario, the singularity appears like any other point in boundless four-dimensional spacetime, except to arise as a singularity in ordinary time.
The metaphysical expression
It is interesting to note how Guénon, speaking of the realisation of the integral or universal man – and greatly anticipating Hawking’s idea – mentions the need to abandon the representation of a temporal succession to access simultaneity, transforming time in a fourth spatial dimension. The primordial point, without form and dimensions, is opposed to itself, creating the first definition of space – distance – which in the temporal condition becomes movement; it is the centre from which it measures the entire spatial extension through the expansion of the six-directions cross. The primordial point can be identified with all the potential points of space in succession – or simultaneously by exiting the temporal condition. Space is the pure power of being, the passive element; every point within this spatial representation is comparable to a centre of being in the representation space, but only in a virtual way until it is assimilated to the primordial point.
By transposing the image in a metaphysical key, we see the ‘man’ principle (which is not to be understood as limited to the human figure, male and female, as we know it) at work. It represents the power of the universe to know itself, not precisely in a teleological or finalistic sense – because the finality assumes a time’s arrow – but as the very being of the universe, of the “whole”. The possibility for the universe to be “two”, reflecting itself through the extension of a spacetime process, constitutes one of its limitless possibilities.
Let us now return to the configuration of the local space. In the two-dimensional horoscope representation, the vertical and horizontal axes of the cross represent the active and passive principles, respectively. Although not localised, the central or primordial point of the cross of the macrocosm, once space is created, becomes the centre of universal manifestation. By symbolic transposition, it turns into the centre of man, that is, the ego. From this point of self-awareness – the ether or the quintessence of alchemists – the elements of the quaternary (Fire, Air, Water, Earth) descend by order of production, not to be understood as the material and gross substances, but as primordial principles or causes at the origin of physical manifestation.
The meaning of the horizon in human experience
The ‘invisible’ experience, because the Earth-mass hides it, is linked to the sensitive aspect, that is, to the inner transformation caused by objective perception, which acts as an entrance channel for the heavenly principle in its role of fruitful genesis. This “entrance” is felt as a “sensation”, which is how the individual becomes aware of the outside world. Such is the birth of the Other’s awareness, symbolically represented by the Descendant as the birth point of the Houses above the horizon. However, the sensation is insufficient to attest to an understanding of oneself, which alone can arise from the presence of the other from the self, which manifests itself as an intuitive process (in the etymological sense of inner vision) as opposed to an outer image. The Ascendant represents this self-awareness that arises in the world.
The merging of intuition and sensation, of inner sense and objective expression, is represented by Rudolf Steiner – the founder of anthroposophy – in the tripartition of the soul, the formative principle of waking consciousness, which continually awakens life from the unconscious condition of the dreamless sleep. In the sentient soul, the perception of an object gives rise to its representation, as a result of which a process takes place between the soul and the ego (the latter, for Steiner, is what experiences the sensation of permanence through memory), giving rise to the duration of knowledge. In the rational or affective soul, the ego directs its activity towards elaborating the objects of perception, intimately preparing their contents. Finally, in the conscious soul, the ego becomes independent of external events, becoming self-knowledge, an internal process that reflects itself in universality. The soul principle splits into three parts for ease of understanding, but it is actually a single body that unfolds its potential over time.
For Dane Rudhyar, a famous humanist astrologer who partly follows the Jungian classification, the intuitive process underlying the sense of self gives rise to feeling, an inner category of intuitive motions. At the same time, sensation, based on sensory impression, generates thought, a stabilisation offered to the vagueness and temporariness of the feeling itself. As you can guess, different words describe the same experience: the integration of an internal and external perceptual process – represented by the Ascendant/Descendant axis – through sensation and thought. Intuition acts as a mirror because the very existence of a world outside of us is nothing but the possibility of knowing ourselves through reflection.
The evolutionary principle
We now come to the meaning of the vertical axis of the incarnation cross. The intersection point with the horizontal axis represents a core of self-awareness that takes on an individual value; it is the formal manifestation of the hierogamy between Heaven and Earth – the Active and the Passive, the Spirit and the Soul, the Pneuma (breath) and the Matter – meeting on the horizontal axis. The vertical axis provides direction to the existence and penetration of the embodied self into the forms of the objective world – the Midheaven. In the opposite sense, it is a descent into the inner core of one’s being, as the symbolism of the Imum Coeli indicates.
The lowest point of the horoscope, the ‘Midnight Sun’ of Freemasonry, represents consciousness in its undifferentiated state, wrapped in itself because it is not yet manifest or “spatialised”. Faced with the awareness of its form in distinguishing between self and non-self – the horizontal axis that creates the space of representation – the consciousness becomes the power of individuation – the Midheaven – the element that brings together the inner and outer world. In a spiritual sense, this model highlights the potential for ascent and overcoming the human condition; on a denser level, it represents the tendency towards extra-individual fulfilment offered by development in social life.
The Ascendant/Descendant line generates the subdivision into the upper and lower hemisphere. Whoever has more planets in the upper hemisphere will need the limelight to manifest fully; the planetary prevalence in the lower hemisphere represents an existence lived under the experience of the inner light. The Midheaven/Imum Coeli divides the circle into the eastern and western hemispheres. The prevailing in the horoscope of one or the other hemisphere (by planetary presence) will provide indications of an evolutionary activity based on one’s own efforts (eastern hemisphere) or favoured by environmental circumstances (western hemisphere).
 From here on, we refer to the two-dimensional projection of the geocentric sphere, where the AS/DS line identifies the intersection between the ecliptic and the local horizon plane, while the MC/IC line crosses the ecliptic on the first vertical.
 The same symbolic appearance is depicted by the fourth Arcanum of the Tarot, the Emperor, seated on the cubic stone.